Friday, August 31, 2012

Eastwood, the empty chair and the speech everyone's talking about

- From cnn.com 

By Halimah Abdullah, CNN
updated 1:17 PM EDT, Fri August 31, 2012


Tampa, Florida (CNN) -- Actor and director Clint Eastwood made the day of the GOP faithful at the Republican National Convention when he gave a surprise speech Thursday night in which he laid out what he sees as the good, the bad and the ugly state of American political affairs.



 And he did it all while addressing an "invisible" President Barack Obama sitting in an empty chair. Eastwood, who played the iconic tough guy character "Dirty Harry" during his long career in Hollywood, fired up the party base when he said he cried when Obama was elected and cried even harder years later when millions were out of work.

 "It's a national disgrace," Eastwood said. "It may be time for someone else to come along and solve the problem."

At times, Eastwood sent the crowd into laughing fits when he pretended Obama was offering colorful objections.
"What do you want me to tell Romney?" Eastwood asked the empty chair. "I can't tell him to do that to himself ... you're getting as bad as Biden ... of course we all know Biden is the intellect of the Democratic Party. Kind of a grin with a body behind it ..."
The RNC had left room for a "mystery guest" on its Thursday schedule and announced Thursday that Eastwood would speak. Late Thursday afternoon, Eastwood walked through the convention floor for a brief rundown of the night's events.
His ad-libbed speech later in the evening was decidedly political, bitingly satirical and more than a bit, well....rambling.

"I think if you just step aside and Mr. Romney can kind of take over. You can maybe still use a plane," Eastwood said.
Seconds after Eastwood finished his speech, the Twittersphere was buzzing with response.
Larry Sabato, director of the University of Virginia's Center for Politics tweeted:
"I'd feel better if I knew for sure that Clint doesn't see anyone in the chair. :)"
Comedian Roseanne Barr tweeted: "clint eastwood is CRAY"
Actor George Takei tweeted that he could use the Eastwood tactic at next week's Democratic National Convention.
"I'm drafting a DNC speech to imaginary Romney in an empty factory," Takei's tweet said.
Actress Mia Farrow tweeted that she thought Florida Sen. Marco Rubio, who introduced Mitt Romney later in the evening, was the night's best speaker -- with one problem: "Rude to ignore invisible Obama sitting right there."
The Twitter handle "Invisible Obama," which said it was sitting "Stage left of Clint Eastwood," quipped that "The GOP built me." An hour after Eastwood's speech, it already had 20,000 followers. The move spawned a new trend with people posting photos of themselves pointing at empty chairs with the hashtag "eastwooding."
Comedy Central's Indecision Tumblr posted a summary that read: "I was talking to Barack Obama the other day. ... Potato. Sneaker. Fish. Pizza. Algebra. Racecar."

Comedic takes on Eastwood's speech went viral and all of a sudden, what might have been for some younger viewers a ho-hum speech by an octogenarian actor became both a national joke and a means to engage in the political process, political experts said.
"It was campaign malpractice that the Romney managers sent out a dithering, clueless Clint Eastwood. The Romney campaign will be lucky if Eastwood's antics don't linger as a national punch line," Sabato wrote on his "Crystal Ball" blog.
Sabato also noted that fallout from Eastwood's vaudevillian like schtick overshadowed "Sen. Marco Rubio, whose dazzling speech to his home state conclave might end up being as nationally invisible as the imaginary Barack Obama sitting in Clint's stage chair."
A Romney campaign aide addressed Romney's appearance later, saying, "Judging an American icon like Clint Eastwood through a typical political lens doesn't work. His ad-libbing was a break from all the political speeches, and the crowd enjoyed it. He rightly pointed out that 23 million Americans out of work or underemployed is a national disgrace and it's time for a change."

But political fact checkers immediately pounced on the 23 million unemployment figure.
The U.S. Labor Department, says there are 12.8 million unemployed people—not 23 million.
Eastwood, a longtime Republican, endorsed Romney at an Idaho fundraiser at the beginning of August, where he told reporters that he was backing the GOP presidential candidate "because I think the country needs a boost somewhere."
He endorsed Sen. John McCain in the 2008 presidential election.
Earlier this year during in an ad that aired during the Super Bowl, Eastwood's familiar, sandpaper voice spoke to Americans about the nation's economic woes. The ad featured close-up shots of factory workers and black-and-white photos of Midwest families -- images some political watchers flagged as subtly political.
"It's halftime in America, too," said the 81-year-old Hollywood legend. "People are out of work, and they're hurting. And they're all wondering what they're gonna do to make a comeback. And we're all scared because this isn't a game. The people of Detroit know a little something about this. They almost lost everything. But we all pulled together, now Motor City is fighting again."
Eastwood said any implication of politics was baseless.
Stars react to Clint Eastwood





Thursday, August 30, 2012

Hip-hop manager Chris Lighty dead after shooting himself amid argument with ex-wife in his Bronx apartment: cops

Lighty, 44, was a longtime manager of 50 Cent, Diddy, Ja Rule and Mariah Carey

- From nydailynews.com

Hip-hop mogul Chris Lighty died Thursday morning after he shot himself during an argument with his ex-wife inside his Bronx apartment, sources told the Daily News.
Lighty, 44 — a longtime manager of 50 Cent, Diddy, Ja Rule and Mariah Carey — put a gun to his head and fired after a spat with his former wife, Veronica, inside the South Riverdale apartment about 11:30 a.m., police sources said. Law enforcement sources said Lighty — who divorced his wife last year — may have been dealing with financial struggles, including owing about $5 million to the IRS.
Lighty, founder of Violator Management, merged with another talent company to form Primary Violator around the time his divorce.
Musicians began Tweeting about Lighty soon after news of his death spread.
“R.I.P. Chris Lighty,” posted Fat Joe on his Twitter account. “That man saved my life.”

Wednesday, August 29, 2012

Shia LaBeouf Dropped Acid On 'The Necessary Death of Charlie Countryman'

- From HuffingtonPost.com


The Huffington Post  |  By Posted: Updated: 08/27/2012 5:19 pm

Shia LaBeouf continues to be the most outspoken actor in Hollywood.
In a new interview with USA Today, LaBeouf revealed he used acid on the set of "The Necessary Death of Charlie Countryman" to better immerse himself in the role.
"There's a way to do an acid trip like 'Harold & Kumar,' and there's a way to be on acid," LaBeouf said. In the drama, which co-stars Evan Rachel Wood, Rupert Grint, Melissa Leo, Mads Mikkelsen, Aubrey Plaza and Til Schweiger, LaBeouf plays a young man who falls for the girlfriend of a crime boss. During one scene, his title character gets high on the psychedelic drug. "What I know of acting, Sean Penn actually strapped up to that [electric] chair in 'Dead Man Walking,'" LaBeouf said to USA Today's Andrea Mandell. "These are the guys that I look up to."
That LaBeouf would be so forthcoming with details about his acid use shouldn't be too surprising. The "Transformers" star has turned speaking his mind into a cottage industry.
In a recent interview with THR, the actor claimed he was finished making blockbusters.
"There's no room for being a visionary in the studio system. It literally cannot exist," he said, before adding, "[the studios] give you the money, then get on a plane and come to the set and stick a finger up your ass and chase you around for five months."
Previously, LaBeouf blasted "Indiana Jones and the Kingdom of the Crystal Skull" (something that strained his relationship with director Steven Spielberg) as well as Michael Bay's "Transformers: Revenge of the Fallen."
"We have a great relationship because we can tell each other the truth about anything -- whether either one of us wants to hear it is another story," Bay told USA Today. "Shia will always be like a younger brother to me."
LaBeouf stars in this week's "Lawless," the first of many indie-minded films on his resume. In addition to "The Necessary Death of Charlie Countryman," LaBeouf is also set to appear in Robert Redford's "The Company You Keep" and Lars Von Trier's "The Nymphomaniac." That latter film will reportedly feature real, onscreen sex.
For more on LaBeouf's career turn, head over to USA Today.

- Photo HuffingtonPost.com 

Monday, August 27, 2012

Camden Police Department Will Be Eliminated And Replaced By Metro Department: Plan

- From HuffingtonPost.com

The Huffington Post  |  By Posted: Updated: 08/26/2012 11:22 pm 
A New Jersey city with a persistently high crime rate and a yawning budget deficit plans to eliminate its police department.
The city of Camden, often described as one of the country's most violent, will lay off its entire force of 270 cops and instead rely on a reorganized county unit to patrol its streets, the Philadelphia Inquirer reports.
The switch is expected to save millions for the financially burdened city near Philadelphia, but critics have slammed it as a backdoor attack on unions. The new Metro Division of the Camden County police won't have collective bargaining, according to Fox News.
Revamping local law enforcement comes as Camden is on pace to set an ignominious record for the most shootings and murders, NPR said.
Layoffs in the city department start this month and less than half can expect to get a job with the county., Fox reported. The force would become defunct at the end of the year.
The financial woes engulfing Camden that forced it to slash its police department have been a stubborn symptom of the city's dysfunction. Last year, 167 officers got pink slips.
The diminished force was overburdened with major crimes that that they had to stop responding to minor car accidents, petty thefts and vandalism.

Photo: solitudecanyon.com

Friday, August 24, 2012

New York Times Posts Bloody, Controversial Picture Of Empire State Building Shooting (GRAPHIC PHOTO)


-From HuffingtonPost.com

The Huffington Post  |  By Posted: Updated: 08/24/2012 5:00 pm 
The New York Times posted a bloody photo during its coverage of Friday morning's shooting near the Empire State Building, causing some to wonder if the paper should have led with a less graphic image.
                                       See the image below (WARNING: it is graphic)


Just after 9:00 a.m., a fired employee shot his former colleague to death near the Empire State Building in New York City, sending local and cable news networks into rolling coverage of the devastating event. Eight additional individuals were also hit by bullets. NYPD officers who were on site at the Empire State Building shot the gunman. 
The Times posted a shocking image of a victim lying on the sidewalk in a river of blood. It seemed to immediately raise eyebrows. Some readers took to Twitter to question the editorial choice and criticize the Times for placing such a graphic photo on the website's front page. Others called it unnecessary, "insensitive and lacking judgment."
The choice was also supported by many people, such as the Times' David Carr:

Blogger Jim Romenesko reached out to the paper for comment. The Times wrote that it understood "why many people found [the image] jarring," but that it was a "newsworthy photograph."
The Times has not shied away from leading with difficult photographs in the past. Last October, the paper published an image of a starving Somali child in a Mogadishu hospital on the front page above the fold, and defended its editorial decision.
The Times reportedly removed the image after a period of time, but then reinstated it on page. The paper has since moved the graphic lead photograph to the fourth image in a slideshow on the site's front page, a change that some made some readers express their appreciation.
Do you think the Times should have posted the following lead photograph? Tell us in our poll below the image.



 























Lead Photo: theblaze.com

Wednesday, August 22, 2012

Tupac Hologram Leads The Way For Digital Resurrections Of Elvis Presley, Marilyn Monroe

-From huffingtonpost.com 


By ANTHONY McCARTNEY 08/21/12 01:52 PM ET AP

LOS ANGELES — When Tupac Shakur rose from the stage in the California desert earlier this year, it was not only a jaw-dropping resurrection, but also the beginning of a new form of live entertainment.
"Come with me," the digital Shakur called out, not just to tens of thousands of screaming fans but seemingly to other artists.
Follow, they will. Elvis Presley's estate announced it has authorized holograms of the King of Rock, Marilyn Monroe's estate has expressed interest and there's no shortage of other beloved stars whose fans would die to see them perform again.
Advances in digital artistry make it all possible, presenting celebrity estates with new commercial and creative opportunities, but also some ethical quandaries.
"I think we've scratched the surface with Tupac," said Dylan Brown, a filmmaker who along with director Philip Atwell and effects studio Digital Domain helped bring the Shakur hologram to life. "If it's done tastefully, like Tupac was done tastefully, I think it could be a wonderful form of entertainment."
Brown, owner of The Yard Entertainment, and Atwell, owner of Geronimo Films, had each toyed with the idea of using holograms in concerts for a decade, but the technology wasn't there. Brown, who works closely with Snoop Dogg and Atwell, who collaborates with Dr. Dre, knew that once they chose Shakur for the holographic debut, it had to be more than just a technological marvel.
"We wanted to be really respectful of the family foremost," said Atwell. "We just wanted to do something that wasn't in bad taste."
Reaction to the Shakur hologram was huge, with the performance garnering 15 million YouTube hits within 48 hours and winning a top award at the creative marketing gathering Cannes Lions.
"You start to open up a whole new universe of legal questions," said Ed Ulbrich, Chief Creative Officer of Digital Domain, which is also working on the Presley holograms. "As such, we have no intentions of doing anything other than being utterly respectful of these legends and icons."
Because it's two-dimensional, the Shakur performer isn't a true hologram, which, by definition, is a 3-D image (Ulbrich notes the technology isn't quite there for that). But it's a vivid digital creation that audiences are far more accustomed to seeing in movies – except there is no screen.
Brown and Atwell say part of its challenge was integrating Shakur's performance into the larger show featuring Snoop Dogg, Dr. Dre and others.
Shakur's entry and exit had to be carefully planned to fit into the show, with the creators opting to have his image burst apart into a cloud of gold specks. Brown and Atwell said the dissolve seemed most appropriate. "He has a mystique and that aura that kind of transcends death even," Brown said.
Stars wield extensive control over how their names, voices and images are used after they die through likeness, trademark and copyright protections, and now holograms offer them yet another consideration.
Before digital filmmaking, attorney Laura Zwicker said the question for her clients boiled down to "Could you use my photograph?" Now, they have to consider whether they'll be returned to the big screen, inserted in commercials or put back on stage, said Zwicker a strategic wealth planner in the Los Angeles office of the firm Greenberg Glusker.
Celebrity likeness rights vary around the country, with stars' estates in California enjoying 70 years of protection. Indiana offers 100 years and 16 other states have laws protecting celebrities' likenesses, said Jeremiah Reynolds, an attorney with the firm Kinsella Weitzman Iser Kump and Aldisert. The firm handles numerous intellectual property issues, including those related to Michael Jackson's estate.
While holograms are likely covered by existing laws, potential legal challenges will likely focus on whether the performance is protected by the First Amendment. "You get into very subjective areas about what is artistic," Reynolds said.
Courts have been divided about whether a work featuring a celebrity – or one closely based on a star – is transformative and warrants its own protection, or infringement, Reynolds said.
"You get into very subjective areas about what is artistic."
Marilyn Monroe's estate threatened legal action earlier this year against a company claiming it was working on a digital show using the model-actress' likeness. The technology for holograms or other digital performances are intriguing, the estate's handlers at Authentic Brands say, but they would only partner with people who could make a top-notch product.
Brown and Atwell said they felt enormous pressure to make sure the Shakur performance was worthy of being an introduction to a new form of live entertainment.
"I also hope that the people who do follow us do it with the same care and the same sense of dedication because I would hate to see a bad version of Marilyn Monroe, a bad version of Elvis up there," Brown said.
Brown and Atwell are proud that Shakur is leading the hologram revolution.
"We're part of the hip hop generation," Brown said. "It shows the growth of that culture, of that business and it says a lot about what we've dedicated part of our lives to."
"There was a time, 15 years ago, 20 years ago, when people were waiting for hip hop to disappear," he said. "Now not only is hip hop here to stay, even if you die we'll bring you back."

Photo: RollingStone.com

Tuesday, August 21, 2012

NEW MUSIC: DJ Khaled Ft. J.Cole, Big K.R.I.T. & Kendrick Lamar – They Ready Lyrics

- From killerhiphop.com

August 16, 2012 · Posted in lyrics, Music · 18 Comments  

 

 [Verse 1: J. Cole]

And you know it don’t stop
Grindin round that clock
Masterminding my second album
My first album just dropped
Scored a touchdown on my first down
Niggas thought I was gon’ flop
See I hustle like my momma but I look just like my pops
And we still duckin cops
Ride around and take shots
Hennessy for my enemies
Niggas know I’m takin they spot
Cause that score up on the play clock
Show just how I came from way back
Just like T-I-P told you ASAP but you niggas rappin like Aesop
Get a grip
Oh that’s your dream car? Nigga that’s my old whip
Oh that’s your dream girl? Nigga that’s my old bitch
Oh that’s your new flow? Nigga that’s my old shit!
This that new KRIT shit, that Cole shit, them country niggas
[Hook: Cole]
One for the money, two for the show
Three for them hoes saying anything goes
They say they ready for whatever!
They say they ready for whatever
I been around the world, twice to be exact
Six bad bitches and they lapped up in the back
They say they ready for whatever!
They say they ready for whatever!
[Verse 2: Big K.R.I.T.]
Shawty look what we got
My bass beat and it knock
Got the old school in my old school
Bout to post up on yo block
Yo broad chose like she was supposed to and you up in arms cause she bopped
I hate to say it but I got to say that I wish that they would just stop
So fuck these haters, fuck these hoes that ain’t slammin doors on they drop
Y’all niggas too young to remember how to the south used to be but I’m not
So when it come to snappin’, Cadillacs, SpottieOttieDopaliscious, y’all pop
You thought Krit Wuz Here and R4 were the shit, bitch wait til my album drop
Say that’s yo new car? Nigga that’s my old slab
Say that’s yo new bitch? Nigga that’s my old stab
Oh that’s yo new flow? That shit sound so trash
This that new KRIT shit, that Cole shit, them country niggas
[Verse 3: Kendrick Lamar]
Hol’ up, but don’t forget about Compton nigga
One for the money, two for the show
Three for No Limit and the rest for Death Row
That means I been bout it bout it and this is the realist shit I ever wrote
And if anyone ever doubt it then they are the loudest of liars I know
I only desire to blow, she only desire to blow
And I hope that my dick is a whistlely flute, and that’s not the instrumental
Now pick up my coat
You let that motherfucker drag like RuPaul, I’ll drag your ass to the floor
Bitch, I can admit, I’m a recovered addict, paraphernalia that is
Telling the doctor I’m sick, head doctor I’m needing your lips, yea
Proper analogy for it, if I can afford it then I won’t ignore it,
Cop me a palace and Porsche and right when I floor it that’s when I switch gears
Living my life on Uranus, uh, keeping one foot in your anus, uh
The other foot all on your neck, repeatedly stomp ’til I break it, uh
Bitch I’m demanding respect, these bitches is telling me take it
DJ Khaled, even if I had callus, holding the torch ain’t no challenge
Ain’t it
[Hook]
Let me know what you think of the DJ Khaled They Ready Lyrics?



Monday, August 20, 2012

Rihanna Tells Oprah She's 'Very Close' With Chris Brown

-From MTV.com

Posted 1 hour ago by MTV News in Music News

By Sowmya Krishnamurthy 

Rihanna gave a heartfelt interview to Oprah, which aired Sunday night (August 19) on the talk show legend’s "Next Chapter" show. In the intimate sit-down filmed in Rihanna’s native Barbados, the singer opened up about, among other things, her tumultuous childhood, handling the loneliness of fame and her relationship with former flame Chris Brown. Rihanna broke into tears when discussing Chris and the notorious 2009 incident in which he assaulted her. At the time, she was worried about Chris’ well-being and lamented losing her “best friend.” Rih Rih shared that once she mended her own tarnished relationship with her father (who was abusive to her mother when the singer was growing up), she was able to forgive Chris. "We've been working on our friendship again...We're very very close friends,” Rihanna revealed. When asked if she still sees her ex, Rihanna said that the two were at the same party in St. Tropez not too long ago and although it’s “awkward” to see him, especially as he’s dating someone else, she still loves him. Fans on Twitter lauded Rihanna for her honesty and willingness to show a more vulnerable side. “Oprah has made me fall in love with Robyn Fenty” shared one fan while another added “I'm glad @rihanna has forgiven CB. Not for him/anybody else but for herself. With forgiveness comes peace.”

Watch More News Videos at ABC
2012 Presidential Election
Entertainment & Celebrity News

Photo: usmagazine.com

Tony Scott Dead: 'Top Gun' Director Dies After Jumping From Bridge (VIDEO)

- From HuffingtonPost.com

AP | Posted: 08/20/2012 12:08 am Updated: 08/20/2012 6:52 am

 LOS ANGELES — Tony Scott, director of such Hollywood hits as "Top Gun," "Days of Thunder" and "Beverly Hills Cop II," died Sunday after jumping from a Los Angeles County bridge, authorities said. The 68-year-old Scott's death was being investigated as a suicide, Los Angeles County Coroner's Lt. Joe Bale said. "I can confirm that Tony Scott has passed away. The family asks that their privacy is respected at this time," Scott's spokesman, Simon Halls, said in a statement. Several people called 911 around 12:35 p.m. to report that someone had jumped from the Vincent Thomas Bridge spanning San Pedro and Terminal Island in Los Angeles Harbor, according to Los Angeles police Lt. Tim Nordquist. A dive team with Los Angeles Port Police pulled the body from the murky water several hours later, Nordquist said. Scott's body was taken to a dock in Wilmington and turned over to the county coroner's office. One lane of the eastbound side of the bridge was closed to traffic during the investigation. Cargo vessels moved at reduced speeds through the east side of the port's main channel during the search, said Los Angeles Fire Department spokesman Brian Humphrey. Investigators found a note in Scott's black Toyota Prius, which was parked on the bridge, according to the Los Angeles Times. That note listed contact information. A suicide note was later found at his office. The British-born Scott, who lived in Beverly Hills, was producer and director Ridley Scott's younger brother. Distinct visual styles mark both siblings' films – Ridley Scott mastering the creation of entire worlds with such films as "Gladiator," "Blade Runner," "Alien" and this year's "Prometheus," Tony Scott known for hyper-kinetic action and editing on such films as his most recent, the runaway train thriller "Unstoppable," starring regular collaborator Denzel Washington. Scott was a thrill-seeker himself in his personal life, an avid rock climber who also liked driving fast cars and motorcycles. Still, filmmaking was his real thrill. "The biggest edge I live on is directing.





That's the most scary, dangerous thing you can do in your life," Scott said in an interview for his 1995 naval adventure "Crimson Tide." "The scariest thing in my life is the first morning of production on all my movies. It's the fear of failing, the loss of face and a sense of guilt that everybody puts their faith in you and not coming through." Tony was the first of the Scott brothers to enjoy blockbuster success with "Top Gun," starring Tom Cruise, the top-grossing film of 1986 at $176 million. Scott teamed with Cruise again four years later on the hit "Days of Thunder." He also had a sequel to "Top Gun" in development. But Ridley Scott later managed more and bigger hits than his brother and earned a level of critical respect never achieved by Tony Scott. "Gladiator" won the best-picture Academy Award for 2000 and earned Ridley Scott one of his three best-director nominations; Tony Scott never was in the running for an Oscar, and critics often slammed his movies for emphasizing style over substance. Even Scott admitted that it was a challenge to infuse drama into some of his scenarios – for example, cars racing in circles in "Days of Thunder." In an interview for that 1990 summer hit, Scott was blunt about where some of the ideas came from. "I went back and I stole from all race movies to date," Scott said. "I took the better elements, then tried to build on them. Really, the speed, the energy and the placement of the audience inside some of the cars came in the editing room. ... "I'm always pushing for something new and fresh in the way things are shot, and the rest happens in the editing room. ... The real speed comes from the cutters and what they do with the celluloid." While Ridley Scott had an auspicious start to his film career with 1977's acclaimed period drama "The Duellists" and 1979's "Alien," Tony Scott bombed with his debut, 1983's supernatural romance "The Hunger," with David Bowie and Catherine Deneuve. He vaulted into Hollywood's top ranks the next time out, with "Top Gun," followed a year later by "Beverly Hills Cop II," both with producer Jerry Bruckheimer. The two brothers ran Scott Free Productions and were working jointly on a film called "Killing Lincoln," based on the best seller by Bill O'Reilly. Along with countless commercials, their company produced the CBS dramas "NUMB3RS" and "The Good Wife" as well as a 2011 documentary about the Battle of Gettysburg for the History Channel. Tony Scott said he gained perspective by mixing things up between film, TV and commercials. "I like changing the pace of my life, changing my discipline. It gives me ideas for how to see the world differently," Scott said in a 2007 interview. Besides "Unstoppable," Scott worked with Washington on four other movies: "Crimson Tide," "Man on Fire," Deja Vu" and "The Taking of Pelham 123." In a tweet Sunday, director Ron Howard said, "No more Tony Scott movies. Tragic day." Director Jon Favreau tweeted, "Such sad news about Tony Scott. Heartfelt condolences to his family and friends." Other Scott films include "True Romance," written by Quentin Tarantino, "The Fan," with Robert De Niro, and "Enemy of the State," starring Will Smith. Scott was married to actress Donna Scott, who appeared in several of her husband's films. They have twin sons. Completed in 1963, the 6,060-foot Vincent Thomas Bridge links rises 185 feet at its highest point above the Los Angeles Harbor. Many have taken their lives by jumping from the span. The bridge has been used in many Hollywood productions, among them "Charlie's Angels," "Gone in 60 Seconds" and "The Fast and the Furious."

Need help? In the U.S., call 1-800-273-8255 for the National Suicide Prevention Lifeline.  

Photo: HuffingtonPost.com

Wednesday, August 15, 2012

Powerful Words in Films: Radio Raheem "Love - Hate"

Powerful Words in Films: Radio Raheem "Love - Hate" 


Photo: encouragedbygodsword.com

New Music: DJ Khaled "I Wish You Would/Cold" ft. Kanye West & Rick Ross

New Music: DJ Khaled "I Wish You Would/Cold" ft. Kanye West & Rick Ross
 

Photo: milkshakesandmoustaches.com

Jay-Z Movie: Brian Grazer & Ron Howard Will Create Film On Made In America Festival

- From HuffingtonPost.com  

The Huffington Post  |  By Posted: Updated: 08/15/2012 11:36 am  Anticipation for Jay-Z's two-day "Made in America" festival continues to build. Brian Grazer and Ron Howard will be making a movie about the event, and Steve Stoute and Jay-Z himself have signed on as producers, reports Page Six. "The festival showcases 20 pre-eminent artists that speak to the new generation. I am producing the film with Steve Stoute and Jay," Grazer told the paper. "He is a phenom, like a musical Michael Jordan." Rap's reigning king has pulled in an illustrious line-up of diverse acts including Drake, Skrillex, Pearl Jam, Passion Pit and Odd Future. The event, which will take place in Philadelphia on Sept. 1 and 2, is sponsored by Budweiser. Howard and Grazer are the latest in a string of filmakers taking a stab at directing concerts and/or music films. Gary Oldman recently helmed a Jack White concert in New York and "Shut Up and Play the Hits," a movie on LCD Soundsystem's final concert, was extremely well-received by critics and audiences. AmEx Unstaged snagged David Lynch for a Duran Duran project, and Terry Gilliam handled an Arcade Fire livestream from Madison Square Garden. Famed documentary filmmaker D.A. Pennebaker directed a film on The National.  

Photo: nytimes.com

Monday, August 13, 2012

Shoot out the red lights: 2 traffic cameras struck with bullets in Newark

- from NJ.com Published: Friday, August 10, 2012, 9:21 PM Updated: Friday, August 10, 2012, 9:38 PM

By Tomás Dinges and Mike Frassinelli/The Star-Ledger

Newark — Someone with a gun is apparently settling scores with those red-light traffic cameras so reviled by New Jersey motorists. Two of the devices were shot in Newark today, police said. Red-light cameras at the intersections of Broad and Murray streets and Broad Street and Raymond Boulevard were given the same treatment as that ill-fated hotel room TV that enraged Elvis. "The Newark Police Department is in the early stages of their investigation into the circumstances surrounding the damaging of two of the city’s red-light photo cameras," Detective Todd McClendon, a police spokesman, said. "The cameras were struck by apparent gunfire during the early morning hours." The cameras were disabled after the shootings, but were being repaired today, he said. There were no injuries and police had not identified a suspect. The cameras were expected to be up and running again shortly. Newark is home to 19 of the 85 red-light cameras in New Jersey. They are polarizing devices. Motorists and some politicians consider them Big Brother contraptions that are little more than a money grab by municipalities. Mayors and some police officers tout them as devices that reduce accidents while bringing much needed revenue to towns. On June 19, the state announced it was suspending 63 of the cameras — including all 19 in Newark — over concerns amber lights did not give motorists enough time to get through intersections. The suspension was lifted July 25 after the state said all cameras were found to meet standards.  Assemblyman Declan O’Scanlon (R-Monmouth) wants to ban the red-light cameras, but didn’t condone treating them like target practice. "People feeling that frustrated about these automated tax machines — just wait a little while," he said. "The truth will win out in the end, and we’ll get rid of them." Mohamed Diallo, a sunglasses and purse vendor at the corner of Broad and Raymond, is used to seeing work crews perform maintenance on the red-light camera. But he has never seen the crews phone police to remove something from the camera case and put it in a plastic evidence bag. Three large bullet holes pierced the side of the black box housing the camera that pointed south on Broad. Diallo said he didn’t notice anything wrong until a fleet of police cars arrived about 5 p.m. today. "Somebody," he said, "was really angry at the camera." Star-Ledger staff writer James Queally contributed to this report.  

Photo: NJ.com

Man With Knife In Times Square Shot And Killed By NYPD (VIDEO)

- From HuffingtonPost.com

08/12/12 04:44 AM ET AP

NEW YORK — Police shot and killed a man they say lunged at them with a knife in a confrontation that began in Times Square and drew officers and spectators on a chase that ended with shots fired near one of New York's most crowded tourist areas. The encounter played out Saturday around 3 p.m., when officers approached a 51-year-old man they say appeared to be smoking marijuana near West 44th Street and Seventh Avenue, in the heart of Times Square. The man became agitated, pulled out an 11-inch knife and began to put a bandanna on his head, police said. He refused repeated orders to drop the weapon and began backing down the avenue, continuing for a number of blocks and drawing many officers into a slow-speed pursuit that took them south of Times Square.


According to the police account, officers pepper sprayed the man six times but he held onto the knife throughout the seven-block pursuit. At West 37th Street, he lunged at police and two officers shot him in the torso, police said. He was pronounced dead at Bellevue Hospital. Witnesses recalled a chaotic scene in which some bystanders took cover, while others began following the procession down the avenue in an attempt to capture cellphone video of it. On video obtained by NY1 cable news station, a number of officers, guns drawn, can be seen pursuing the man as he appears to skip down Seventh Avenue. "He was swinging at people as he ran," Jobby Nogver, a 17-year-old visiting from Boston, told The New York Times. Nogver watched as police surrounded the man and fired. "I can't tell you how many shots," he said. Priscilla Rocha, a tourist from Brazil, was visiting Times Square with her husband when they saw the confrontation. "I almost had a heart attack," she told the Times. "Everyone started running."

Photos: nypost.com
gettysburgtimes.com

Thursday, August 9, 2012

New Mystikal "Bullsh*t"

New Single From Mystikal "Bullsh*t"
@ItsMystikal

other dope music from Mystikal "Original" Feat. Lil Wayne and Birdman 
 

Mariah Carey's Comeback Has Been Less Than 'Triumphant'

- From HuffingtonPost.com 

by


Posted: Updated: 08/09/2012 4:20 pm

It’s ironic that Mariah Carey‘s comeback single is called "Triumphant,” as the pop diva's new track doesn't quite live up to its name, bombing on the radio and dropping to No. 50 in iTunes. In fact, Mariah's big comeback is looking rocky. “I think it’s really hard to get on Top 40 radio when you are over 40,” one top radio host tells me. “She’s trying to get street cred by having rappers on the song but it isn’t working. What’s really concerning her team is that most superstars' singles get in the top 10 on iTunes within the first days, just out of curiosity. It’s not like people are listening to the song and deciding they don’t like it; [with Mariah] they are not even listening.” This bad news comes after a winning year for the music icon. Her adorable twins celebrated their first birthday, she remarried her husband, Nick Cannon, in Parisian style, and she became the highest-paid reality show judge in history, joining the "American Idol" team. “I think it was a mistake releasing the song before she got on 'Idol',” says Carolina Bermudez, who just left radio station Z100 to join CBS' "The Couch." “If radio isn’t playing it, then that’s a problem.”



Photo: cnn.com

Tuesday, August 7, 2012

Barack Obama: 'Dark Knight Rises' Highlight Was Anne Hathaway's Catwoman


- From huffingtonpost.com 

The Huffington Post  |  By Posted: Updated: 08/07/2012 7:33 am 
Count Barack Obama on Team Anne Hathaway. During a fundraising event at Harvey Weinstein's Connecticut home on Monday night, Obama revealed that Hathaway's portrayal of Selina Kyle (a.k.a. Catwoman) in "The Dark Knight Rises" was his favorite part of the film.
“She’s spectacular,” Obama said about Hathaway, who was in attendance along with Weinstein and actress Joanne Woodward. “I got a chance to see Batman, and she was the best thing in it. That's just my personal opinion."
In "The Dark Knight Rises," Hathaway's Selina Kyle is a representation of Gotham City's 99 percent. "There's a storm coming, Mr. Wayne," she says to Batman during swanky Gotham City charity ball. "You and your friends better batten down the hatches, because when it hits, you're all gonna wonder how you ever thought you could live so large and leave so little for the rest of us."
Hathaway's work in the film has received a good amount of praise, with some allowing that she might be the best chance Christopher Nolan's Batman finale has at an Oscar nomination in January.
Responding to an article published here at HuffPost Entertainment regarding the Oscar bona fides of the "Dark Knight Rises" supporting players, Oscar blogger Sasha Stone conceded that Hathaway could earn a nomination.
"If there is going to be one, it will most likely be her," Stone wrote on her blog while dismissing other contenders like Michael Caine. "True, everyone thinks ['Les Miserables'] will be her big Oscar grab and it probably will be but -- that doesn’t take away the fact that she’s still the film’s best shot at an acting nod."
Having someone like Barack Obama in her corner probably doesn't hurt Hathaway either. If only he had an Oscar ballot.
The event in Connecticut was expected to bring in as much as $2 million for the Obama reelection campaign. Per Obama's donation site, the dinner cost $35,800 per person to attend.
   Photo: celebrity-diets.org

Friday, August 3, 2012

Ghostbusters 3 to go ahead without Bill Murray

Dan Aykroyd confirms that a third instalment in the spook-shooting series is being scripted, but that Murray will not appear

-From guardian.co.uk

 






The new Ghostbusters film will go ahead without the involvement of Bill Murray, according to his franchise co-star Dan Aykroyd.
Murray said in June that he turned down the chance to star in Ghostbusters 3 because the screenplay was not up to scratch. Aykroyd, who has been spearheading efforts to bring the series back to the big screen, said the film would now progress without him.
"We've got a brilliant new writer on it and we'll be passing the torch on to a new generation," Aykroyd told Metro. "We're working on it to make it just right to satisfy our fans. I'm confident we'll be in production in the next year."
He added: "It's sad but … Ghostbusters 3 can be a successful movie without Bill. My preference would be to have him involved but at this point he doesn't seem to be coming and we have to move on. It's time to make the third one."
Murray told David Letterman in June that he wanted any new Ghostbusters film to be as funny as the 1984 instalment which launched the series, rather than its poorly received 1989 sequel.
"They just don't have a really good script," he said. "It's hard. You know, even the second Ghostbusters wasn't as much fun for me as the first one. It's hard to make a sequel. That first one was so darn funny. It's hard for me."
Ghostbusters 3 was at one point expected to shoot last May, with Murray himself appearing in character as Peter Venkman at the 2010 Scream awards, suggesting he had warmed to the idea. Harold Ramis, who played Egon Spengler in the 80s films, was set to direct and co-star, with Aykroyd reprising his role as Ray Stantz. The latter described Murray's proposed return as the "comic role of a lifetime".
In August last year, Aykroyd appeared on the Dennis Miller show and appeared to hint that the film might go ahead without Murray. However, in February he said he was unsure if a third film would ever now be made, since his former co-star was not interested.
The new writer for Ghostbusters 3 is believed to be Etan Cohen, who oversaw the screenplays for Men in Black III and Tropic Thunder. According to reports, the new supernatural pest control quartet will include at least one woman.

Photo: chicagoist.com

Keyshia Cole Visits 106 & Park; Talks Return To “Sad” Music

- From thatgrapejuice.net

 R&B chanteuse Keyshia Cole stopped by BET’s 106 & Park yesterday to plug her comeback single ‘Enough of No Love’. During Cole’s candid chat with departing host Terrence J, she dished on marriage, motherhood, and re-embracing music. The latter provided the most insightful aspect of the interview; for the 30 year old deemed the”happier tone” of her last album, ‘Calling All Hearts’, as a musical misstep of sorts – crediting her fans for reminding her what they want from her. Watch the interview after the jump…


Granted experimentation is key for artistic growth, survival in the music industry is often a case of knowing your strongest card and playing it until the end. It’s a practice Mary J. Blige is well-versed in, and one Ms. Cole seems to now understand too. Although, it must be said, the so-so performance of ‘Hearts’ was less an issue with the “happier” subject matter. It simply wasn’t a good album. Here’s hoping her latest effort ‘Woman To Woman’ remedies that when it arrives this Fall. Because Keyshia gets it “right”, ala her still hot debut, she is a formidable force.  

photo: cantstophiphop.com

Wednesday, August 1, 2012

Musicians' Income Can Still Be Huge -- With The Right Brand, Team

From - HuffingtonPost.com

Posted: Updated: 07/31/2012 4:27 pm

by

joe.satran@huffingtonpost.com

In 2011, Taylor Swift made $57 million, Rihanna made $53 million and Kenny Chesney made $44 million, Forbes magazine estimates. That's more than almost anyone else in the entertainment industry. Meanwhile, the Future of Music Coalition found that musicians made an average of about $34,000 off their music in America, before deducting expenses from touring and recording, while the music media tolled the same old bell of doom about the state of the music industry. What gives? It's tempting to chalk the difference up to disparities in record sales -- some musicians have always gotten huge while their peers languished in obscurity. But even top artists are selling far fewer records than they used to. Total North American sales of recorded music fell 36 percent between 2007 and 2011 alone, according to a recent report by PwC. And it's clear that digital music sales haven't yet made up for lost physical sales, and won't anytime soon. "It wasn't that long ago that we were getting $3 million as an advance for the record. That's way over -- those deals don't exist," entertainment lawyer Dina LaPolt told The Huffington Post. Today, according to industry experts, the only way to make money in the music business is to turn an artist into a brand -- then do everything in your power to maximize that brand's value. The first step on this path still involves music. Songs make an artist famous in the first place, and allow the artist to define his or her brand. Touring can also be lucrative; spending on concerts in North American surpassed spending on recorded music in 2009, and stood at $9.5 billion in 2011, up almost 20 percent from four years before. But tours are also expensive to produce, so they aren't necessarily as profitable for the artist as they initially appear. For that reason, artists have gotten increasingly creative with their business ventures. "Ten years ago, if you had a hit song on the radio, and you had a great tour, then you'd sell a million records, two million records. That's not necessarily the case anymore. But today, if you have a hit song and you have a sold-out tour, then other ancillary opportunities are available to you: sponsorships, endorsements, TV, movie, animated features … all different types of things," LaPolt said. "Recording an album really has become like a promotional tool." So once an artist becomes popular through music, the four members of his or her management team (agent, manager, lawyer, business manager) work to turn fans' goodwill into revenue. They secure deals for music-merchandise manufacturers to sell keychains with their clients' faces on them, get their clients lucrative judging positions on reality TV shows and help broker clothing-design jobs with apparel companies. Some artists have made more with these kinds of deals than they would have in the golden age of the CD. Taylor Swift, for example, collaborated with Elizabeth Arden to release a perfume that generated $50 million in a single month. Swift, of course, also sells millions of records -- but music manager Allen Kovac said that it's possible even for moderately successful artists to start lucrative businesses. Kovac cited his client Nikki Sixx, who has parlayed his position as the bassist of Motley Crue into a clothing line, several book deals and a talk radio show. Sixx is also in talks to start a talk show on cable. "He's making more money now as an individual than he did in Motley Crue," Kovac said. The best deals, in addition to being lucrative, also make an artists' brand more appealing for future endeavors. LaPolt cited her client Steven Tyler's job as a judge on 'American Idol'. The role netted Tyler a fat check -- around $10 million, if rumors are to be believed. But the show also introduced Tyler to a new generation and became a showcase for Tyler's personal style, which helped him land deals with fashion companies, said LaPolt. "We did a deal with Tommy Hilfiger's rock-and-roll line, Andrew Charles, last year. And that was successful because we had a debut of his own menswear and womenswear. Now we're putting together a deal with a very prominent fashion executive and business owner, and Tyler is doing his own line," she said. On the other hand, most musicians don't have the brand recognition of Steven Tyler or Nicky Sixx, so they couldn't land those deals even with the best attorneys and managers in the industry. Jean Cook, the program director at the Future of Music Coalition, said that just 2 percent of musicians' total income in America comes from "brand-related revenue." "Anybody who's able to leverage their brand and get income from it is probably doing fairly well," she said. "But most people are not in a position to leverage their brand." That's not to say that lesser-known artists are going hungry. Some have responded to dwindling recorded-music royalties by taking on non-music jobs, said Cook. Teaching income has increased even for unknown artists, across all genres. According to Cook's data, side-jobs end up boosting the average total income for a musician to $49,000, pre-expenses -- still less than a tenth of a percent as much as Taylor Swift. "Musicians are poor," Cook said. "There's no getting around that. Freelance musicians have to tie together a lot of different things to make a living, and don't have a lot of support from their teams. There are successful musicians -- but the vast majority of people aren't that."

Photo: hiphopwired.com
Related Posts Plugin for WordPress, Blogger...