Friday, August 31, 2012

Eastwood, the empty chair and the speech everyone's talking about

- From cnn.com 

By Halimah Abdullah, CNN
updated 1:17 PM EDT, Fri August 31, 2012


Tampa, Florida (CNN) -- Actor and director Clint Eastwood made the day of the GOP faithful at the Republican National Convention when he gave a surprise speech Thursday night in which he laid out what he sees as the good, the bad and the ugly state of American political affairs.



 And he did it all while addressing an "invisible" President Barack Obama sitting in an empty chair. Eastwood, who played the iconic tough guy character "Dirty Harry" during his long career in Hollywood, fired up the party base when he said he cried when Obama was elected and cried even harder years later when millions were out of work.

 "It's a national disgrace," Eastwood said. "It may be time for someone else to come along and solve the problem."

At times, Eastwood sent the crowd into laughing fits when he pretended Obama was offering colorful objections.
"What do you want me to tell Romney?" Eastwood asked the empty chair. "I can't tell him to do that to himself ... you're getting as bad as Biden ... of course we all know Biden is the intellect of the Democratic Party. Kind of a grin with a body behind it ..."
The RNC had left room for a "mystery guest" on its Thursday schedule and announced Thursday that Eastwood would speak. Late Thursday afternoon, Eastwood walked through the convention floor for a brief rundown of the night's events.
His ad-libbed speech later in the evening was decidedly political, bitingly satirical and more than a bit, well....rambling.

"I think if you just step aside and Mr. Romney can kind of take over. You can maybe still use a plane," Eastwood said.
Seconds after Eastwood finished his speech, the Twittersphere was buzzing with response.
Larry Sabato, director of the University of Virginia's Center for Politics tweeted:
"I'd feel better if I knew for sure that Clint doesn't see anyone in the chair. :)"
Comedian Roseanne Barr tweeted: "clint eastwood is CRAY"
Actor George Takei tweeted that he could use the Eastwood tactic at next week's Democratic National Convention.
"I'm drafting a DNC speech to imaginary Romney in an empty factory," Takei's tweet said.
Actress Mia Farrow tweeted that she thought Florida Sen. Marco Rubio, who introduced Mitt Romney later in the evening, was the night's best speaker -- with one problem: "Rude to ignore invisible Obama sitting right there."
The Twitter handle "Invisible Obama," which said it was sitting "Stage left of Clint Eastwood," quipped that "The GOP built me." An hour after Eastwood's speech, it already had 20,000 followers. The move spawned a new trend with people posting photos of themselves pointing at empty chairs with the hashtag "eastwooding."
Comedy Central's Indecision Tumblr posted a summary that read: "I was talking to Barack Obama the other day. ... Potato. Sneaker. Fish. Pizza. Algebra. Racecar."

Comedic takes on Eastwood's speech went viral and all of a sudden, what might have been for some younger viewers a ho-hum speech by an octogenarian actor became both a national joke and a means to engage in the political process, political experts said.
"It was campaign malpractice that the Romney managers sent out a dithering, clueless Clint Eastwood. The Romney campaign will be lucky if Eastwood's antics don't linger as a national punch line," Sabato wrote on his "Crystal Ball" blog.
Sabato also noted that fallout from Eastwood's vaudevillian like schtick overshadowed "Sen. Marco Rubio, whose dazzling speech to his home state conclave might end up being as nationally invisible as the imaginary Barack Obama sitting in Clint's stage chair."
A Romney campaign aide addressed Romney's appearance later, saying, "Judging an American icon like Clint Eastwood through a typical political lens doesn't work. His ad-libbing was a break from all the political speeches, and the crowd enjoyed it. He rightly pointed out that 23 million Americans out of work or underemployed is a national disgrace and it's time for a change."

But political fact checkers immediately pounced on the 23 million unemployment figure.
The U.S. Labor Department, says there are 12.8 million unemployed people—not 23 million.
Eastwood, a longtime Republican, endorsed Romney at an Idaho fundraiser at the beginning of August, where he told reporters that he was backing the GOP presidential candidate "because I think the country needs a boost somewhere."
He endorsed Sen. John McCain in the 2008 presidential election.
Earlier this year during in an ad that aired during the Super Bowl, Eastwood's familiar, sandpaper voice spoke to Americans about the nation's economic woes. The ad featured close-up shots of factory workers and black-and-white photos of Midwest families -- images some political watchers flagged as subtly political.
"It's halftime in America, too," said the 81-year-old Hollywood legend. "People are out of work, and they're hurting. And they're all wondering what they're gonna do to make a comeback. And we're all scared because this isn't a game. The people of Detroit know a little something about this. They almost lost everything. But we all pulled together, now Motor City is fighting again."
Eastwood said any implication of politics was baseless.
Stars react to Clint Eastwood





Thursday, August 30, 2012

Hip-hop manager Chris Lighty dead after shooting himself amid argument with ex-wife in his Bronx apartment: cops

Lighty, 44, was a longtime manager of 50 Cent, Diddy, Ja Rule and Mariah Carey

- From nydailynews.com

Hip-hop mogul Chris Lighty died Thursday morning after he shot himself during an argument with his ex-wife inside his Bronx apartment, sources told the Daily News.
Lighty, 44 — a longtime manager of 50 Cent, Diddy, Ja Rule and Mariah Carey — put a gun to his head and fired after a spat with his former wife, Veronica, inside the South Riverdale apartment about 11:30 a.m., police sources said. Law enforcement sources said Lighty — who divorced his wife last year — may have been dealing with financial struggles, including owing about $5 million to the IRS.
Lighty, founder of Violator Management, merged with another talent company to form Primary Violator around the time his divorce.
Musicians began Tweeting about Lighty soon after news of his death spread.
“R.I.P. Chris Lighty,” posted Fat Joe on his Twitter account. “That man saved my life.”

Wednesday, August 29, 2012

Shia LaBeouf Dropped Acid On 'The Necessary Death of Charlie Countryman'

- From HuffingtonPost.com


The Huffington Post  |  By Posted: Updated: 08/27/2012 5:19 pm

Shia LaBeouf continues to be the most outspoken actor in Hollywood.
In a new interview with USA Today, LaBeouf revealed he used acid on the set of "The Necessary Death of Charlie Countryman" to better immerse himself in the role.
"There's a way to do an acid trip like 'Harold & Kumar,' and there's a way to be on acid," LaBeouf said. In the drama, which co-stars Evan Rachel Wood, Rupert Grint, Melissa Leo, Mads Mikkelsen, Aubrey Plaza and Til Schweiger, LaBeouf plays a young man who falls for the girlfriend of a crime boss. During one scene, his title character gets high on the psychedelic drug. "What I know of acting, Sean Penn actually strapped up to that [electric] chair in 'Dead Man Walking,'" LaBeouf said to USA Today's Andrea Mandell. "These are the guys that I look up to."
That LaBeouf would be so forthcoming with details about his acid use shouldn't be too surprising. The "Transformers" star has turned speaking his mind into a cottage industry.
In a recent interview with THR, the actor claimed he was finished making blockbusters.
"There's no room for being a visionary in the studio system. It literally cannot exist," he said, before adding, "[the studios] give you the money, then get on a plane and come to the set and stick a finger up your ass and chase you around for five months."
Previously, LaBeouf blasted "Indiana Jones and the Kingdom of the Crystal Skull" (something that strained his relationship with director Steven Spielberg) as well as Michael Bay's "Transformers: Revenge of the Fallen."
"We have a great relationship because we can tell each other the truth about anything -- whether either one of us wants to hear it is another story," Bay told USA Today. "Shia will always be like a younger brother to me."
LaBeouf stars in this week's "Lawless," the first of many indie-minded films on his resume. In addition to "The Necessary Death of Charlie Countryman," LaBeouf is also set to appear in Robert Redford's "The Company You Keep" and Lars Von Trier's "The Nymphomaniac." That latter film will reportedly feature real, onscreen sex.
For more on LaBeouf's career turn, head over to USA Today.

- Photo HuffingtonPost.com 

Monday, August 27, 2012

Camden Police Department Will Be Eliminated And Replaced By Metro Department: Plan

- From HuffingtonPost.com

The Huffington Post  |  By Posted: Updated: 08/26/2012 11:22 pm 
A New Jersey city with a persistently high crime rate and a yawning budget deficit plans to eliminate its police department.
The city of Camden, often described as one of the country's most violent, will lay off its entire force of 270 cops and instead rely on a reorganized county unit to patrol its streets, the Philadelphia Inquirer reports.
The switch is expected to save millions for the financially burdened city near Philadelphia, but critics have slammed it as a backdoor attack on unions. The new Metro Division of the Camden County police won't have collective bargaining, according to Fox News.
Revamping local law enforcement comes as Camden is on pace to set an ignominious record for the most shootings and murders, NPR said.
Layoffs in the city department start this month and less than half can expect to get a job with the county., Fox reported. The force would become defunct at the end of the year.
The financial woes engulfing Camden that forced it to slash its police department have been a stubborn symptom of the city's dysfunction. Last year, 167 officers got pink slips.
The diminished force was overburdened with major crimes that that they had to stop responding to minor car accidents, petty thefts and vandalism.

Photo: solitudecanyon.com

Friday, August 24, 2012

New York Times Posts Bloody, Controversial Picture Of Empire State Building Shooting (GRAPHIC PHOTO)


-From HuffingtonPost.com

The Huffington Post  |  By Posted: Updated: 08/24/2012 5:00 pm 
The New York Times posted a bloody photo during its coverage of Friday morning's shooting near the Empire State Building, causing some to wonder if the paper should have led with a less graphic image.
                                       See the image below (WARNING: it is graphic)


Just after 9:00 a.m., a fired employee shot his former colleague to death near the Empire State Building in New York City, sending local and cable news networks into rolling coverage of the devastating event. Eight additional individuals were also hit by bullets. NYPD officers who were on site at the Empire State Building shot the gunman. 
The Times posted a shocking image of a victim lying on the sidewalk in a river of blood. It seemed to immediately raise eyebrows. Some readers took to Twitter to question the editorial choice and criticize the Times for placing such a graphic photo on the website's front page. Others called it unnecessary, "insensitive and lacking judgment."
The choice was also supported by many people, such as the Times' David Carr:

Blogger Jim Romenesko reached out to the paper for comment. The Times wrote that it understood "why many people found [the image] jarring," but that it was a "newsworthy photograph."
The Times has not shied away from leading with difficult photographs in the past. Last October, the paper published an image of a starving Somali child in a Mogadishu hospital on the front page above the fold, and defended its editorial decision.
The Times reportedly removed the image after a period of time, but then reinstated it on page. The paper has since moved the graphic lead photograph to the fourth image in a slideshow on the site's front page, a change that some made some readers express their appreciation.
Do you think the Times should have posted the following lead photograph? Tell us in our poll below the image.



 























Lead Photo: theblaze.com

Wednesday, August 22, 2012

Tupac Hologram Leads The Way For Digital Resurrections Of Elvis Presley, Marilyn Monroe

-From huffingtonpost.com 


By ANTHONY McCARTNEY 08/21/12 01:52 PM ET AP

LOS ANGELES — When Tupac Shakur rose from the stage in the California desert earlier this year, it was not only a jaw-dropping resurrection, but also the beginning of a new form of live entertainment.
"Come with me," the digital Shakur called out, not just to tens of thousands of screaming fans but seemingly to other artists.
Follow, they will. Elvis Presley's estate announced it has authorized holograms of the King of Rock, Marilyn Monroe's estate has expressed interest and there's no shortage of other beloved stars whose fans would die to see them perform again.
Advances in digital artistry make it all possible, presenting celebrity estates with new commercial and creative opportunities, but also some ethical quandaries.
"I think we've scratched the surface with Tupac," said Dylan Brown, a filmmaker who along with director Philip Atwell and effects studio Digital Domain helped bring the Shakur hologram to life. "If it's done tastefully, like Tupac was done tastefully, I think it could be a wonderful form of entertainment."
Brown, owner of The Yard Entertainment, and Atwell, owner of Geronimo Films, had each toyed with the idea of using holograms in concerts for a decade, but the technology wasn't there. Brown, who works closely with Snoop Dogg and Atwell, who collaborates with Dr. Dre, knew that once they chose Shakur for the holographic debut, it had to be more than just a technological marvel.
"We wanted to be really respectful of the family foremost," said Atwell. "We just wanted to do something that wasn't in bad taste."
Reaction to the Shakur hologram was huge, with the performance garnering 15 million YouTube hits within 48 hours and winning a top award at the creative marketing gathering Cannes Lions.
"You start to open up a whole new universe of legal questions," said Ed Ulbrich, Chief Creative Officer of Digital Domain, which is also working on the Presley holograms. "As such, we have no intentions of doing anything other than being utterly respectful of these legends and icons."
Because it's two-dimensional, the Shakur performer isn't a true hologram, which, by definition, is a 3-D image (Ulbrich notes the technology isn't quite there for that). But it's a vivid digital creation that audiences are far more accustomed to seeing in movies – except there is no screen.
Brown and Atwell say part of its challenge was integrating Shakur's performance into the larger show featuring Snoop Dogg, Dr. Dre and others.
Shakur's entry and exit had to be carefully planned to fit into the show, with the creators opting to have his image burst apart into a cloud of gold specks. Brown and Atwell said the dissolve seemed most appropriate. "He has a mystique and that aura that kind of transcends death even," Brown said.
Stars wield extensive control over how their names, voices and images are used after they die through likeness, trademark and copyright protections, and now holograms offer them yet another consideration.
Before digital filmmaking, attorney Laura Zwicker said the question for her clients boiled down to "Could you use my photograph?" Now, they have to consider whether they'll be returned to the big screen, inserted in commercials or put back on stage, said Zwicker a strategic wealth planner in the Los Angeles office of the firm Greenberg Glusker.
Celebrity likeness rights vary around the country, with stars' estates in California enjoying 70 years of protection. Indiana offers 100 years and 16 other states have laws protecting celebrities' likenesses, said Jeremiah Reynolds, an attorney with the firm Kinsella Weitzman Iser Kump and Aldisert. The firm handles numerous intellectual property issues, including those related to Michael Jackson's estate.
While holograms are likely covered by existing laws, potential legal challenges will likely focus on whether the performance is protected by the First Amendment. "You get into very subjective areas about what is artistic," Reynolds said.
Courts have been divided about whether a work featuring a celebrity – or one closely based on a star – is transformative and warrants its own protection, or infringement, Reynolds said.
"You get into very subjective areas about what is artistic."
Marilyn Monroe's estate threatened legal action earlier this year against a company claiming it was working on a digital show using the model-actress' likeness. The technology for holograms or other digital performances are intriguing, the estate's handlers at Authentic Brands say, but they would only partner with people who could make a top-notch product.
Brown and Atwell said they felt enormous pressure to make sure the Shakur performance was worthy of being an introduction to a new form of live entertainment.
"I also hope that the people who do follow us do it with the same care and the same sense of dedication because I would hate to see a bad version of Marilyn Monroe, a bad version of Elvis up there," Brown said.
Brown and Atwell are proud that Shakur is leading the hologram revolution.
"We're part of the hip hop generation," Brown said. "It shows the growth of that culture, of that business and it says a lot about what we've dedicated part of our lives to."
"There was a time, 15 years ago, 20 years ago, when people were waiting for hip hop to disappear," he said. "Now not only is hip hop here to stay, even if you die we'll bring you back."

Photo: RollingStone.com

Tuesday, August 21, 2012

NEW MUSIC: DJ Khaled Ft. J.Cole, Big K.R.I.T. & Kendrick Lamar – They Ready Lyrics

- From killerhiphop.com

August 16, 2012 · Posted in lyrics, Music · 18 Comments  

 

 [Verse 1: J. Cole]

And you know it don’t stop
Grindin round that clock
Masterminding my second album
My first album just dropped
Scored a touchdown on my first down
Niggas thought I was gon’ flop
See I hustle like my momma but I look just like my pops
And we still duckin cops
Ride around and take shots
Hennessy for my enemies
Niggas know I’m takin they spot
Cause that score up on the play clock
Show just how I came from way back
Just like T-I-P told you ASAP but you niggas rappin like Aesop
Get a grip
Oh that’s your dream car? Nigga that’s my old whip
Oh that’s your dream girl? Nigga that’s my old bitch
Oh that’s your new flow? Nigga that’s my old shit!
This that new KRIT shit, that Cole shit, them country niggas
[Hook: Cole]
One for the money, two for the show
Three for them hoes saying anything goes
They say they ready for whatever!
They say they ready for whatever
I been around the world, twice to be exact
Six bad bitches and they lapped up in the back
They say they ready for whatever!
They say they ready for whatever!
[Verse 2: Big K.R.I.T.]
Shawty look what we got
My bass beat and it knock
Got the old school in my old school
Bout to post up on yo block
Yo broad chose like she was supposed to and you up in arms cause she bopped
I hate to say it but I got to say that I wish that they would just stop
So fuck these haters, fuck these hoes that ain’t slammin doors on they drop
Y’all niggas too young to remember how to the south used to be but I’m not
So when it come to snappin’, Cadillacs, SpottieOttieDopaliscious, y’all pop
You thought Krit Wuz Here and R4 were the shit, bitch wait til my album drop
Say that’s yo new car? Nigga that’s my old slab
Say that’s yo new bitch? Nigga that’s my old stab
Oh that’s yo new flow? That shit sound so trash
This that new KRIT shit, that Cole shit, them country niggas
[Verse 3: Kendrick Lamar]
Hol’ up, but don’t forget about Compton nigga
One for the money, two for the show
Three for No Limit and the rest for Death Row
That means I been bout it bout it and this is the realist shit I ever wrote
And if anyone ever doubt it then they are the loudest of liars I know
I only desire to blow, she only desire to blow
And I hope that my dick is a whistlely flute, and that’s not the instrumental
Now pick up my coat
You let that motherfucker drag like RuPaul, I’ll drag your ass to the floor
Bitch, I can admit, I’m a recovered addict, paraphernalia that is
Telling the doctor I’m sick, head doctor I’m needing your lips, yea
Proper analogy for it, if I can afford it then I won’t ignore it,
Cop me a palace and Porsche and right when I floor it that’s when I switch gears
Living my life on Uranus, uh, keeping one foot in your anus, uh
The other foot all on your neck, repeatedly stomp ’til I break it, uh
Bitch I’m demanding respect, these bitches is telling me take it
DJ Khaled, even if I had callus, holding the torch ain’t no challenge
Ain’t it
[Hook]
Let me know what you think of the DJ Khaled They Ready Lyrics?



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